beatrice_otter: Grammar (Grammar)
I am a pedant and a grammar geek.  I'm normally the one who gets tweaked by apostrophes in the wrong place and always notices when someone uses the wrong word and it really tweaks me off.  (The large annoyance factor has to do with my Aspergers, I'm pretty sure.)  (Which is why I was so surprised that this weekend at the synod's youth gathering I wasn't the one to spot the repeating error in the devotion directions--it said "scared" instead of "sacred," so there was like a whole page talking about "scared space," and once somebody pointed it out to me it was pretty funny, especially considering it's October and I'm on the board of a group planning a small haunted house in town.)

But, anyway, in fic I can usually tell when someone has too much reliance on their spellchecker and not enough on an actual dictionary to make sure they're using the right word.

Today I spotted a perennial favorite: "rouge" instead of "rogue"

Rogue (the word they meant) means "a person who is dishonest or immoral; a man who causes trouble in a playful way."  "Rogue" is also the name of one of the X-Men, and the name of Luke Skywalker's squadron in Star Wars.

Rouge, on the other hand, is an old-fashioned word for red (well, in English it's old fashioned, in French it's the regular word for it), and also an old-fashioned name for certain types of makeup, usually what we now call "blush" (i.e. the red stuff you put on your cheeks to give you color).  The nightclub Moulin Rouge (the setting for the movie of the same name) means "The Red Mill," so named for the red windmill on top of the building.

Having your hard-bitten investigators sitting around a table talking about bringing in someone who  "went rouge" is, er, unexpectedly humorous and gives me a mental picture of someone being brought in under arrest for being a drag queen or something similar, or possibly turning into a can-can dancer.  Not quite the effect the author was going for ...

This is one reason why betas are a good thing, because they (hopefully) catch things like this.  And I don't care how good a writer you are, everyone does this sometimes (or has a computer do it for you when it autocorrects incorrectly and you don't notice ....)

What are your favorite (or least favorite) perennial typos/misspellings/homonym abuses/malapropisms?
beatrice_otter: Atlantis--And the sky full of stars (Sky Full of Stars)
There is a divide in science fiction and fantasy fandom, dating back to Star Trek.  Media fans (fans of TV shows and movies) are on one side and lit fans (fans of books and short stories and original written works of varying kinds) are on the other, and it's not hard-and-fast but things that make huge waves in one area of fandom often don't even get noticed in the other part of fandom.

There is something huge going on in lit fandom, and it's important.  So here, for your edification, is what's going on with the 2014 Hugo nominations.

First, some background.  The Hugo Awards are the Oscars of the SF/F world.  They're voted on every year by the members of WorldCon, the World Science Fiction Convention, and handed out there.  (This year it will be in London.)  Who is a member of WorldCon?  Anyone who buys a membership for that year!  A full membership is $205, but if you will not be attending in person you can buy a supporting membership for $40.  This $40 investment will get you a) a packet with all the written works nominated for an award that year (which is a pretty good deal--5 novels, 5 novellas, 5 novellettes, and five short stories, each of them ones that a large number of fans think were the absolute best thing published the year before) and b) the right to vote for the Hugos and c) the right to nominate works for next year's awards.  There is wank about this every year, just like there's always wank about the Oscars.  Usually it's nothing.  This year, it's bad.

Second, some background on the major players.  As in all areas of life, there are some SF/F authors who are complete wastes of space on a personal level.  (I can't speak to the quality of their writing as I've never read it, but they are total wastes of space as people.)  In particular, Larry Correia and Vox Day (aka Theodore Beale) are vocally sexist, racist, homophobic pieces of trash who think that only white men can be real SF/F fans and that while they can spew any filth they want, anybody who dares to stand up to them is a horrible person who is oppressing them.  I won't be linking because y'all have google and I am not going to waste my spoons diving through their splooge for examples.  (Day/Beale uses both name and pseudonym for a variety of things so if you want to look him up, google both.)

So!  This year, Correia put forth a slate of twelve works (including his own most recent novel) that should get Hugos, and urging people to buy Worldcon memberships solely to nominate and then vote for those twelve works, which Vox Day (aka Theodore Beale) then championed as well.  All of them are what he considers "real" Science Fiction by "real SF" (read: white racist sexist asshole) authors.  And seven of them got enough nominations to get on the Hugo ballot.  On the bright side, there are also a lot of women authors and authors of color and people who have never gotten Hugos on the ballot, way more than normal.  (On the weird side, since the last book in the Wheel of Time series came out last year and none of the books in the series have ever been nominated and all of the novels are part of a single story told in installments, the entire series has been nominated for a Hugo for Best Novel.  ETA: Yes, the entire series will be part of the membership packet this year, all fourteen of them.)

Reactions:
Natalie Luhrs over at Radish Reviews

Abigail Nussbaum (one of the nominated authors) on her own blog

Blackgate.com ignores the whole Correia and Vox Day issue but raises interesting points on other things

Far Beyond Reality does a linkspam of the whole issue


John Scalzi, one of the leading writers and bloggers in lit fandom and one who is usually pretty loudspoken about being a feminist and pro-poc, says people should take the high road and vote solely on artistic merit, not the character of the author.

Shweta Narayan
, Arachne Jericho, Rose Lemberg, and Kate Nepveu point out several flaws in Scalzi's position.

Daniel Libris' take.


Polenth Blake on separating writers and their work.

There's two issues with the Hugos this year.  First, Correia's actions in promoting a slate of candidates, and urging all of his fans to buy memberships solely to nominate it and vote for it leaves a bad taste in peoples' mouths, and would no matter what kind of a person he was.  There are lots of people in literary fandom who think it's wrong to even say publicly "Hey, guess what, I'm eligible if you want to nominate me for X!"  So even if Correia's actions weren't technically against the rules, it's Not Good Behavior.

More importantly, obviously, are the social justice implications: Correia and Vox Day should not get to dictate what counts as "good" science fiction and fantasy; they should not get to dictate what science fiction fandom is like and who can and can't be part of it.

I am not going to urge anyone to buy WorldCon memberships just to vote against them, but I will note that $40 for a supporting membership will get you all the nominated works, the right to vote, and the right to nominate for next year's Hugos.  The packets aren't yet ready for distribution, because they only just announced who was nominated and are now approaching publishers and authors for the rights.  (Also, they're doing Retro-Hugos this year; it's the 75th anniversary of the first WorldCon in 1939, but the Hugos didn't come along until later, so they're going to give out Hugos for 1939 as well as 2014.  Hopefully, those works from 1938 will also be in the member packet.)

ETA: due to trolling, anonymous commenting has been disabled.  If you're going to call me a racist fascist, you're going to at least need to drum up the courage to sign it.

beatrice_otter: John Connor with shotgun--made for me, not shareable (John Connor)
Comment on "Summer Experience" via the Pit of Voles:

Nice try but there are some questions you should answer.

First of all:
Who is Dr. Baums Wife ?


You leave more Questions than "Born to run"
Gee, thanks, reviewer.  Never mind that that's not the story I was telling.  Or that, in any story/vignette that small, there will be far more questions raised than answered.  That's the point.  That's why I love reading and writing them: they raise questions and make you think and leave you a lot of space to fill in your own ideas.
beatrice_otter: Me in red--face not shown (Default)
So, racism's been a recent meta topic, does that mean it's time for feminism?

I guess so.  Because I just read two awesome essays on the ugly underbelly of misogyny in slash fandom in general.

Why can't a woman be more like a man? by [livejournal.com profile] bookshop 
On female characters "not being good enough" by [personal profile] tielan 

Go.  Read now.

beatrice_otter: Men may move mountains, but ideas move men. (Ideas move men)
So, if you're in the Stargate fandom you've probably heard about the massive amounts of fail (multiple different kinds, no less!) inherent in the casting sides for an episode of Stargate: Universe, and the defense from Gateworld, and all that. [livejournal.comt profile] sheafrotherdon has an excellent rebuttal to Gateworld's defense of the fail, and [livejournal.com profile] cereta has an older post on living in a systematically misogynistic society and why don't "nice" men take a stand which then links to [livejournal.com profile] khalinche's post on the levels of harassment your average woman experiences on a daily basis, and why men don't really get it. And someone in the comments mentioned the Vagina Monologues, which I've never seen.

And I've been thinking. I love Stargate, but not the fail, and it seems like the fail has been growing over time, and the way they consistently play issues of rape and torture and such for titilation/humor or in other ways abuse white male privilege.

And lo, at 2 o'clock in the morning, an idea has formed for a story I will never write but which would be Made of Awesome if someone else would do it:

Teal'c is sensitive to power issues as they relate to the whole Jaffa/slave thing, but not so much (which is to say, not at all) as they relate to male/female relationships. He's very secure in his male privilege, and uses it, particularly with Jaffa women. He has great respect for Sam, treats her like an equal as a warrior, true, but look at how he treated the Jaffa women he was with. It's not that he's a bad guy, he just responds as his culture has taught him and doesn't really seem to think about the issue that much. And then in the episode Family Ties, Teal'c gets given tickets to The Vagina Monologues.

I want to know what Teal'c's reaction was. I want it to be done seriously, not played for laughs. I want to know how he related that to his experiences of Jaffa life and working with Sam for ten years. I want to explore Jaffa culture and Teal'c's perspective on it beyond the 'Jaffa revenge thing.' I want to see him talk about it with Sam, and with Ishta, and maybe his daughter-in-law Kar'yn. I don't want him to turn into an enlightened feminist Western male, but I do want him to understand.

Profile

beatrice_otter: Me in red--face not shown (Default)
beatrice_otter

January 2026

S M T W T F S
     12 3
45678910
11121314151617
18192021222324
25262728293031

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jan. 8th, 2026 07:59 am
Powered by Dreamwidth Studios