( Crossovers )
( Stargate: SG-1 )
( Star Wars )
( Stargate: Atlantis )
( Babylon 5 )
( Battlestar Galactica )
( Batman )
( Superman Movieverse )
( Wonder Woman )
( Terminator )
( Doctor Who/Torchwood )
( Buffy: the Vampire Slayer )
( Star Trek )
( Vorkosiverse )
( World of the Five Gods/Chalionverse )
( Damar )
( Marvel )
( Disney )
( Miscellaneous Fandoms--NASA posters, Teen Wolf, Pacific Rim, Outlaws of Sherwood, Enchanted Forrest Chronicles, Starfire Series, Rio Bravo, Big Fish, the Bible, Honor Harrington, Pride and Prejudice )
( Disclaimer and Creative Commons License )
Anyway, I have a number vid ideas that will never get made if I don't pay someone else to do it, and so I'm always on the lookout for vid auctions featuring vidders offering those sources that I think would do a creditable job with the idea. Which is how I bidded on (and ended up winning) grammarwoman's services to make a Star Wars fanvid to that old American Civil War hit, "That's What's the Matter." And she did a really great job, and the vid is SO FUNNY. You have to go see.
Title: That's What's the Matter
Source: Star Wars movies (Rogue One, Episodes IV-VII)
Music: "That's What's the Matter", Stephen Foster
Vid Download Link: 183 MB m4v file at Sendspace (If you'd like it in a different format, let me know.)
Summary: The Empire would have gotten away with it, too, if it hadn't been for those meddling Rebels and incompetent Imperial officers.
The issue itself isn't out yet, but many of the personal essays about disability and science fiction are available for free on the Kickstarter page. They're all good, and you should totally check them out. Here are some of my faves:
K.C. Alexander, We Are Not Your Backstories:
Science fiction shapes generations—how we think, the way we act. It influences the careers we choose and our thirst for knowledge. It cautions against the worst of our impulses, and quietly teaches us empathy. Without knowing it, we are slowly acclimated to people and beliefs that live outside our rigid monocultures.A.T. Greenblatt, The Stories We Find Ourselves In:
So, I'll let you in on a secret, the thing I've learned about having a life-long disability, the thing that lots of stories never quite grasp: The real trick, the true solution to a disability, is to find a balance between your abilities and your goals.Michael Merriam, We Are Not Daredevil. Except When We Are Daredevil:
I live in this world. I can't toss my white cane aside when I need to spring into action: the cane goes with me everywhere. I travel around my city on public transportation. My other senses are not supernaturally sharper because I am blind. I simply pay better attention to those other senses. It's a learned skill. I live within my blindness every day, and I want to read about fictional characters who also live with and within their blindness.
Marissa Lingen, Malfunctioning Space Stations:
I have a major balance disorder. When I am awake and able to use all my senses, I can reason out the vertical. If you make me close my eyes, I can still get it to within about five degrees of the correct answer if I'm sitting still on a firm surface. If I’ve got a squishy surface, motion, or other things confusing my senses, doubtful. Asleep? All bets are off. I literally do not know which way is up.H. Ace Ratcliff, Nihil de Nobis, Sine Nobis:
Since I have read and written science fiction for decades, what my sleeping brain knows to do with this much disorientation is to process it into a malfunctioning space station. And so I dream. Occasionally my dreams veer into carnival rides, roller coasters, giant swooping swings. But that is someone else's genre. This is mine.
I narrowly avoided the temptation to throw my Kindle and watch the book shatter into a million plastic pieces. If it had been a printed paperback, I’m positive I would be able to show you the dent in the wall. “For the record,” I tweeted out to the hashtags The Expanse was using, “you can be a fucking Valkyrie in a goddamn wheelchair.” I can assure you that any human with the wherewithal, sheer willpower, and pain tolerance to put her skeleton back into place on an hourly basis absolutely deserves a place in any mythological pantheon.Day Al-Mohamed, The Stories We Tell and the Amazon Experiment:
As an example, I once asked a room full of authors what their response would be if I asked them to make the protagonist in their current Work-in-Progress a woman – most nodded, yesses were heard around the room. Then I asked if they could make their character a person of color – again, nods around the room. Then I asked if they would make the character disabled – silence. The discomfort was palpable. In theory diversity and disability was great to include in fiction but when it came to implementation, they couldn’t easily connect disability with their protagonist. They had trouble adjusting to the practical reality of disability existing outside of the boxes they knew. This is why 134 stories on Amazon could be broken down into five story categories.Ada Hoffman, Everything Is True: A Non-Neurotypical Experience with Fiction:
When I read #ownvoices autistic characters, I often think the authors have had that same feeling. Many of these characters have devoted family, friends, romantic partners, even when the world at large is awful to them. Most of them first have to overcome a broken relationship with themselves. To learn to believe that they're worthy as they are.Haddayr Copley-Woods, Move Like You're From Thra, My People:
With autistic characters written by NT authors, it often feels like everyone is tired of their shit from the start.
You don't have to be tough. People sometimes say things like, "If you can be discouraged from writing, you should be," and use that as a way to justify being unkind to people who are tender. I don't think it's meant as a cudgel against disabled people specifically, but it can function as one. If you doubt your abilities, if you are sometimes crushed, if you feel like an impostor—that's fine. It's normal. If only tough people wrote stories, then we'd only have their perspectives, and we would lose all the things other people—you—have to offer.
I was glad I didn’t have this unfortunate internalized disableism stilling my movements, but I didn’t know why I’d found it so easy to make the switch until I sat down with my little boys to watch The Dark Crystal, which I hadn’t watched in decades.
I didn’t know. It took my breath away. The reason why I am fine with moving like this, the reason I am fine with people staring and why I love myself this way, is because of The Dark Crystal.
The issue is more than fully funded, right now they're adding content left and right as more people pledge, and if they get to $45k (they're at $39,425 with 9 days left to go) they'll do a hardcopy of it for supporters pledging $50 or more.
I mean, the Greek gods were "born" and came to life in all kinds of weird and wacky ways. Athena, for example! Athena was Zeus' daughter with Metis (and very similar to Diana of Themyscira, in a lot of ways). How was Athena born? She sprang fully formed from Zeus's head! He was still her father and Metis her mother. A bunch of Zeus's other children were at least sometimes considered to have been born through means other than sexual reproduction. (Ares' mom may have gotten pregnant with him by eating the wrong lettuce leaf at the wrong time. Ares was still considered a child of Zeus.) The Greek gods just kind of went with the flow. The people involved in your creation (whether through sex or not) were your parents.
What I'm trying to say is, everything we are told in the movie could easily be true all at the same time: Hippolyta wants a daughter so she sculpted one out of clay and prayed to Zeus. Zeus wants a god-killer to take out Ares, and so he obliged her by flinging a lightning bolt her way or whatever, and bringing the baby to life. The Amazons know this, but what is most important to them? This is their Queen's daughter, their princess, the only child on the island, their Diana who was sculpted out of clay by her mother. What is most important to Ares? That Diana was brought to life by Zeus and is thus his daughter, and therefore Ares' sister, whether or not her birth fits into the standard "mommy and daddy have sex and nine months later a child is born" model that is the only way humans reproduce. Ares and Diana are not humans. They are Greek god and demigod. Ares, in particular, scorns humans, so why would he care about human definitions of parenthood and sibilinghood? Especially when he's trying to get Diana onside. "Come join the family" is a lot more compelling than "come join the dude you've been taught to hate all your life for all the horrible things he's done."
As for Diana? How does she consider herself? What is most important to her? That she is Hippolyta's daughter, sculpted from clay. Yes, she was brought to life by Zeus. Yes, that means that in the way the Greek gods thought, Zeus was her father. She acknowledges this tie. That means Ares is her brother. But I bet you that when you ask her how she was born, five minutes heart-to-heart with Ares on a battlefield doesn't overturn the fact that she is an Amazon and thinks like one. And therefore, unless you are specifically considering her role as god-killer, the fact that Hippolyta sculpted her from clay is far more important than Zeus's contribution.
Look at the battle between her and Ares. She doesn't really ... react much when Ares starts calling her his sister. She doesn't look, talk, or act like a person having a major identity crisis. She's just like, "okay, you want to call me sister, sure, fine, whatever, guess that fits too, let's get on with this." She doesn't react like "OMG, my mom LIED to me, everything I know about myself is a lie!" It's more in line with "oh, right, yeah, from your POV Zeus's contribution is the most important, whatever."
Anyway, there are a lot of fics about, say, Bucky recovering from torture, or where his psychological recovery is a large part of the story. And one thing I've noticed is that the treatments for PTSD that people normally use are behind the times. Like, they'll have talk therapy, and maybe a therapy animal or journaling--and these are good and helpful--but there's been a LOT of research into trauma disorders and recovery in the last two decades, and a lot of developments of new treatments. Talk therapy is not the gold standard of what a cutting-edge therapist recommended by Tony Stark would use. It might well be part of the therapy, but not the whole of it. And Sam Wilson, working at the VA, would certainly know this as well. I am not a professional, but I have read enough of the top books on trauma to have some feel for the subject.
If you would like to incorporate some more current research, understandings, and techniques, the best place to start is The Body Keeps the Score by Bessel van der Kolk. He's got decades of experience and research dealing with combat vets, survivors of childhood abuse of every kind, and every sort of trauma you can imagine. The book is well-written and interesting and suitable for a non-specialist to read, and it covers the history of trauma in psychology and how we learned what we know today, along with some very interesting case studies. Best of all, the last few chapters are overviews of what he's found to be the most effective forms of treatment, including a brief overview of what the treatment is and their best guesses as to why it works, and then some examples of what's happened when he has used it or seen it used. (Also, it's fun how he burns the DSM-V and some of his colleagues. Like, there is SO MUCH SHADE, OH MY GOD.)
If you want some medical jargon to use in your fic, the place to start would be The Body Bears the Burden by Robert Scaer. Scaer is a neurobiologist, not a psychologist, and boy howdy can you tell in his writing. This one is a little more challenging, but it has a lot of medical stuff if you want to use that in your fic and wikipedia isn't doing it for you.
( Abigail and the CCTV )
I love her resourcefulness--and the fact that she's double-checking stuff from the records by getting an old film camera and learning to develop film.
Also, Peter, word DOES get around. How many landmarks have been demolished or seriously damaged with you involved?
( The Thames Valley Police: I don't think they were joking ... )
And Nightingale, hee!
( Greek, Abigail, and operational priorities )
And Peter has good taste in music if he likes Janelle Monae.
( Spoilers for the end )
Anyway, I periodically go through looking for new fic on AO3, and the best way (imo) to do this is to click on the Harry Potter works tag, sort by date, and then put "kudos>100" (or whatever other kudos threshhold you choose, today I picked 1000 because it's such a huge fandom) so you only get stuff a lot of people have liked. (If you just go "sort by hits" or "sort by kudos" in a fandom as old as Harry Potter, you only get the oldy-goldies, which I've mostly read already or know I won't like.)
I also have AO3 Savior, a greasmonkey script added on to my browser that allows me to blacklist tags and such. Items tagged with stuff I don't want to see show up in Works lists as blocked, with reason for blocking.
I went looking for Harry Potter fic today. Apparently, a VERY high percentage of popular fic right now has either character bashing or Voldemort sexytimes. Also! I have "*/Tom Riddle" and "Tom Riddle/* both blacklisted (the asterisk tells it to block anything there, so I don't have to go through and list alllll the possible Tom Riddle pairings). But apparently, if I want to block threesomes with Riddle, I have to ALSO blacklist "*/Tom Riddle/*"
Why do so many people want to write and read about Voldie sexytimes?!? I do not get it! I'm not judging, you do you, but gah.
(The bashing is, alas, a Harry Potter trend of longstanding. Thank you to everyone who a) realizes that that is what you are doing and b) tags it properly.)
Also, I am hovering really close to burnout, and so I don't think I should do any more ficathons for a while, much as I love them. The last two, I wasn't able to actually get myself to write until the deadline was bearing down on me, and then I was in pure panic-mode and not really able to make good writing and editing decisions. (Thank you to those who have held my hands through this.) I don't need the extra stress.
Anyway! I like this fic, here it is.
Title: A Purpose-Driven Life
Fandom: Agent Carter
Characters: Dottie Underwood, Agnes Cully | Whitney Frost
Word Count: 6,194
Betaed by: sapphire2309
Written for: sapphire2309
Summary: Dottie escapes the Red Room as a child. Everything goes differently from there.
AN: ::hangs head in shame:: Why yes, yes I DID accidentally ask my recipient to beta for me without even realizing it until I went to post. I AM SO SORRY, SAPPHIRE2309! I swear I will never ask for a beta without double-checking who the recipient is!
AN2: Yes, I know, I have fiddled with the timeline. According to the show, Dottie Underwood was a pre-teen in 1937, while Whitney Frost was already an adult living in California and starting to work as a model/actress by 1934. I have made Dottie older and Whitney younger, to match.
AN3: I was not able to figure out the cost of a mob hit in the 1930s. However, I was able to find the cost of hiring a hitman in 2013 (https://priceonomics.com/how-much-does-
AN4: in your letter, you said you love stone-cold-terrifying villain!Whitney, but you also ask for what would have happened if she'd gotten what she wanted (science) in the first place. And I think in that case, she wouldn't have needed to become stone-cold-terrifying villain.
At AO3 FF.net tumblr
( Vsevolod's hands scrabbled for purchase on the side of the building, and, desperate, he hissed at her to help. )
Brexit negotions start tomorrow even though we don't actually have a government, and those theoretically in charge are still pushing for leaving the customs union, ending freedom of movement, etc..
The Guardian: Big business leaders press Theresa May to rethink hard Brexit
David Davis, the Brexit secretary, says on Sunday that he would head into Monday’s Brexit talks aiming to “secure a deal that works for all parts of the United Kingdom”, but signalled that the plan was still to leave the customs union and reduce immigration.
So, still "contact your MP" time.
grenfell is still doubling all donations until match funds run out (and have also started releasing funds in emergency cash via the groups that have established themselves on the frontline, i.e. not via RBKC who are apparently continuing to fail to provide co-ordination, organization, or much of anything)
The Home Office are helping Mohammad Alhajali's family get to the UK, so no more need to sign that petition.
https://grenfellsupport.wordpress.com looks very useful.
North Kensington Law Centre are providing legal education and support to residents affected by the fire: their donations page -- this would be a good thing to donate to as there may be issues with the general funds being used for legal support.
RBKC have £270 million in reserves. As far as I can see, that means they could afford to buy nice property in North Kensington at market prices to rehouse the survivors.
A few things:
- There is a typo in the second line.
- If this agent gave more than lip service to how important the local touch is, they would not be trying to steal business away from our local agent, who actually DOES live here, and learned at the knee of the guy who started the agency and who ALSO lived here. Like, if you care that your agent knows the town and community, why would you choose the agent from fifty miles away instead of the one who is very successful and right here in town?
- If the agent sending out the flyers actually knew the town, they would know that this is a parsonage, and as such EXCEPTIONALLY unlikely to be sold.
Fandom: Wonder Woman 2017
Characters: Diana Prince, Etta Candy,
Summary: Diana can't go back to Themiscyra. She can only go forward into a new world and a new life.
At AO3 and Tumblr
( Etta knew before they made it back, that Steve was dead. )
What they were hoping was that this was not the new normal. What they were hoping was that people would get tired, and give up, and if they just waited this out, people would let them do all the heinous stuff they wanted to do.
That's mostly happening. Call volumes now are, apparently, back to pre-Trump levels.
This is bad news for progressives. We need to keep the volume up. Not up to insanely high first-outrage levels, no, but a sustainable REMEMBER WE HAVE OUR EYES ON YOU AND DON'T WANT YOUR SHIT level. That we can maintain until we regain control.
How do we do that? My friend, there is a website! Actually, there are two!
If you can only make one phone call a week: bookmark TheSixtyFive. It gives a "weekly call to action" where it lays out the most pressing issue of the week, gives you the name and phone number of your senators/reps, and a script to call them with. (It does ask you to do some research to get the specific name of the person on their staff handling this issue, but honestly you can just leave a message.)
If you can make more than one phone call per week: bookmark 5Calls. it gives a whole list of issues with bills in congress right now, a rundown of the issue, and the phone numbers of your senators/reps, and a script to call them with.
Both are simple and easy. I use 5Calls, mostly because if I call every morning before work, I'll remember, whereas if I only try to call once a week and it's not part of my everyday routine I won't remember to do it ever.
If you have social anxiety or don't want to talk to a real live person for any reason, call at night and leave a message. Or find the email addresses of your senators and representative (search on https://www.senate.gov/ and http://www.house.gov/), and email them instead.
The point is, contact them. Let them know how you feel and what you want. This is especially true if they are Republican, but even Democrats need to know we have their back and we are politically engaged.
Fandom: Stargate SG-1
Artist: Major Cliffhanger majcliffhanger
Length: 21,178 words
Betaed By: tielan and princessofgeeks
Written for: Stargate Reverse Bang 2017 (stargate_summer and sos_lounge )
Summary: Daniel and Teal'c crash on a planet with no Stargate, and no way of surviving without depending on the Goa'uld-worshipping locals.
At AO3 and tumblr
( It was a landing only by courtesy, and also because of Jack who insisted that )
( Author's Notes: much grumbling about languages, names, and history )
I received A Brief Period of Rejoicing. With the war in Europe coming to an end Peggy Carter and the Howling Commandos get to have some well earned R&R with an old friend and some new ones. It's a nice crossover with some minor comics characters, a little bit of action, lots of fun.
Tomorrow, in a year. Inventions, the consequences they have and the choices you make: Three encounters Howard Stark has with German scientists he does and doesn't work with. Interesting look at scientific ethics from different perspectives.
What's Next. “I keep saying she’s going to get herself into trouble, trying to fix everything." Violet, 1931-1944. Interesting look at a character we only got brief interactions with in canon. (She was Daniel's girlfriend in season 2)
Reclamation. Jack gets himself in trouble. Again. Peggy and Daniel attempt to help him. Again. Things go exactly contrary to plan. Again. Good casefic, wish it were longer.
A Purpose-Driven Life. Dottie escapes the Red Room as a child. Everything goes differently from there. Interesting AU idea with both Dottie and a young Agnes Cully (i.e., Whitney Frost)
Playing the Cards. Jason ponders his life after Zero Matter. Interesting idea of what the long-lasting effects of Zero Matter might be.
Girls' Night Out. Peggy Carter, Rose Roberts, and Ana Jarvis walk into a bar . . . What it says on the tin.
However. While FAR from perfect, there are many charming things about the series.
For example, in the main books? The good guys are mostly Latino. Like, there's some Scottish stuff in there, too, but they are brown-skinned people who serve the Gubernio Civil and speak a language obviously derived from Spanish.
The main antagonists, the enemy who is just as smart and civilized and in every way their equal? Muslims. So, yes, they're the bad guys, but clearly several steps up as a people from the rest of the planet. Opponents, not evil. And we get told several times that if Center (the sentient computer guiding everything) had happened to be in their territory rather than the Gubernio Civil, he would be happily helping them instead. On both a sociological level and a moral level, they are equal to the main characters. They just happen to be on the other side of the war.
There are barbarians, however. People with a society that does not support technological or educational development, people with morals that basically add up to nothing more than machismo. And all of them are white. Each and every one. The really barbaric Skinners are French. The medium barbarians are blond and blue-eyed "norteamericanos."
The people fitting the "Jewish" role, the scorned and hated religious minority that is "tolerated" but forced into narrowly-defined economic roles and then further stigmatized for it? Are Christians.
I mean, it's not perfect, there is still a lot of the sorts of race problems you'd expect from a straight white guy who thought "I'm not a racist, let's try something interesting by race-flipping what you'd expect a white guy to write, but since I'm not a racist I don't have to do much research or put much thought into it beyond the initial cool concept." And yet.
(If you would like to read this series, it's legally available for free download if you poke around the Fifth Imperium website. They're on the "When the Tide Rises CD." Now, you used to be able to click on the name of the CD and see all the books on it and just download which ones you want. These days, the direct links are gone, so you have to download the whole CD by clicking on either iso.zip or cd.zip for that CD, downloading every book that was on that CD, and then extracting the ones you want from it.)